The Edge Before Rain
The first hush is not silence, but a listening. It hovers between the lion’s stillness and the palm’s slow bend toward rain. Neither claims the moment. Neither speaks it. I stepped into their quiet as one might step beneath a lintel carved for gods—uninvited, but not unwelcome.
There was no command here. Only presence. Only regard.
I lowered the camera like a votive. The frame filled not with subjects, but with witness.
Back in the darkroom, memory returned in silver. Not image, but echo.
stone and root align
in the breath before thunder
watching without end
More from the Library
Houses of Wood, Light, and Smoke
Some of Angkor’s most intimate ruins do not rise above the ground at all. They are postholes, low mounds, hearths and ponds: durable traces of a domestic city built largely from things that decay. To restore that city is to see Angkor not only as stone, but as wood, smoke, water, repair, and people living within calling distance.
What Stone Brings Forth
I had mistaken a gift for something being expelled.
Beneath the nāga's mouth, a stone garland descended bead by bead. Nearby, a makara opened its jaws and another form emerged. Looking closer, the whole temple began to change: serpent became ornament, ornament became architecture, architecture became foliage.
The forest did not introduce this language.
It answered it.
The Eighth Daughter
Seven daughters have already been taken by Yamata-no-Orochi when Susanoo reaches the River Hi. Only Kushinada-hime remains. The Eighth Daughter retells the Kojiki episode through a family’s waiting, a girl transformed into a comb, and the patient preparation for the serpent’s return.
$895
Angkor Wat, Cambodia — 2020
Limited Edition Archival Pigment Print
Edition
Strictly limited to 7 prints + 2 Artist’s Proofs
Edition Number
This listing is for the first numbered print from the Large Collector Edition: 1/7
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
28 x 28 inches (71.1 x 71.1 cm)
A stone lion steadies itself at the parapet; a lone palm ascends into iron-grey cloud. Between them stretches the charged quiet that precedes rain—the temple holding its breath, the jungle relearning stillness.
Stormlight draws every edge toward revelation. The air smells of wet bark, carved sandstone, distant thunder withheld. Presence settles like fine dust upon the lens.
I stood there, head bowed behind the dark-cloth, feeling not observer but acolyte. Their vigilance entered the glass; my pulse slowed to meet it.
Captured on large-format black-and-white film in a single long exposure, the negative was later shaped through chiaroscuro and meticulous hand-toning until shadow carried the heft of cloud and highlight held the pulse of stone.
Printed on museum-grade Hahnemühle Bamboo paper, The Watchers is limited to twenty-five prints, plus two artist’s proofs.
A threshold of stillness—ready to be welcomed into your space.
To listen alongside the guardians, click here to explore the Artist’s Journal.
Previously titled ‘Guardian, Angkor Wat Temple, Cambodia. 2020,’ this photograph has been renamed to better reflect its place in the series and its spiritual tone. The edition, provenance, and authenticity remain unchanged.