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1 min read
They do not guard the past. They remain with it.
The Watchers is not a declaration but a stillness. In it, a guardian lion carved in ancient stone and a solitary palm rise together beneath storm-thick skies. They do not speak. They do not turn toward us. Their attention lies elsewhere—beyond the edge of the frame, and beyond time.
Captured in late afternoon at Angkor Wat, the photograph was made on large-format black-and-white film using long exposure. Varro allowed the light to gather across the frame like mist over temple stone. In the studio, he shaped the negative with classical chiaroscuro, then hand-toned each surface until the silence returned.
There is no story here. Only presence. The lion’s flank holds shadow like breath. The palm’s trunk catches light like memory. Between them stretches a hush older than sound.
As part of the Spirit of Angkor series, this image marks a moment of spiritual equilibrium. It is a threshold work—inviting the viewer not to look, but to wait.
Each print is hand-toned on Hahnemühle Bamboo paper, chosen for its warmth, sustainability, and soft tonal depth. The edition is strictly limited to 25 prints + 2 Artist’s Proofs.
To receive this work is to welcome not an object, but a presence: two sentinels who remain—not as guardians of a vanished world, but as witnesses of the sacred now.

5 min read
A new vision of kingship rises at the Bayon: serene faces turned to every horizon, shaping a world where authority is expressed as care. Moving through the terraces, one enters a field of steady, compassionate presence — a landscape where stone, light, and time teach through quiet attention.

4 min read
Bayon wakes like a mind emerging from shadow. Its many faces shift with light and breath, teaching that perception—and the self—is never singular. In walking this forest of towers, the pilgrim discovers a quiet multiplicity within, held together by a calm that feels both ancient and newly understood.

4 min read
In the darkroom, silver begins to breathe—and a morning at Bayon returns. The essay moves from tray to temple and back, tightening its centre around a single vow: consent, not capture. A butterfly’s tremor, a lintel at dawn, a print clearing in water. Craft becomes meditation; the camera, a quiet bowl for light.
Angkor Wat, Cambodia — 2020
Limited Edition Archival Pigment Print
Edition
Strictly limited to 25 prints + 2 Artist’s Proofs
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
8 x 8 inches (20.3 x 20.3 cm)
A stone lion steadies itself at the parapet; a lone palm ascends into iron-grey cloud. Between them stretches the charged quiet that precedes rain—the temple holding its breath, the jungle relearning stillness.
Stormlight draws every edge toward revelation. The air smells of wet bark, carved sandstone, distant thunder withheld. Presence settles like fine dust upon the lens.
I stood there, head bowed behind the dark-cloth, feeling not observer but acolyte. Their vigilance entered the glass; my pulse slowed to meet it.
Captured on large-format black-and-white film in a single long exposure, the negative was later shaped through chiaroscuro and meticulous hand-toning until shadow carried the heft of cloud and highlight held the pulse of stone.
Printed on museum-grade Hahnemühle Bamboo paper, The Watchers is limited to twenty-five prints, plus two artist’s proofs.
A threshold of stillness—ready to be welcomed into your space.
To listen alongside the guardians, click here to explore the Artist’s Journal.
Previously titled ‘Guardian, Angkor Wat Temple, Cambodia. 2020,’ this photograph has been renamed to better reflect its place in the series and its spiritual tone. The edition, provenance, and authenticity remain unchanged.
Receive occasional letters from my studio in Siem Reap—offering a glimpse into my creative process, early access to new fine art prints, field notes from the temples of Angkor, exhibition announcements, and reflections on beauty, impermanence, and the spirit of place.
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Receive occasional letters from my studio in Siem Reap—offering a glimpse into my creative process, early access to new fine art prints, field notes from the temples of Angkor, exhibition announcements, and reflections on beauty, impermanence, and the spirit of place.
No noise. No clutter. Just quiet inspiration, delivered gently.
Subscribe and stay connected to the unfolding story.