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1 min read
There was once a bend in the river where birds would not settle.
Cows lowered their heads, then stepped back. Even the wind seemed to pass that water with its mouth closed. In that deep, dark pool lived Kaliya, the serpent, who had made fear into a home and poison into a kingdom.
Then Krishna came to the riverbank.
He did not bring a weapon.
He climbed the kadamba tree, leapt into the black water, and rose above the many-hooded serpent with an ankle-bell bright against the roar. The river watched. The village watched. Yashoda watched with her hands pressed to her mouth.
And Krishna danced.
Not to destroy.
Not to boast.
He danced until the poison loosened.
He danced until the serpent bowed.
He danced until the river remembered how to carry the moon.
The Serpent-River Dance is a hearthlit retelling of Krishna and Kaliya: a tale of venom, mercy, fear, and the child who stepped onto the serpent as if onto a song.
Continue reading on Substack:
Fires of the Old World XV — The Serpent-River Dance

2 min read
Sam wakes beneath green leaves and asks whether everything sad will come untrue—but Frodo’s wounded hand already complicates the answer. This Mytharium essay explores Tolkien’s eucatastrophe, grace at Mount Doom, and the sudden joy that does not erase sorrow but denies it final authority.

7 min read
July moved through walls, bodies, songs, scars, cups, pages and stones—ordinary and mythic things that remember what human beings forget. Across Angkor, the Odyssey, Tolkien, Vedic creation, Greek war and quiet domestic rooms, the Library returned to one governing question: when memory fails, what in the world continues to know us?

2 min read
Three ordinary acts—tending a mirror, keeping a ledger, reading a page—draw three voices into the same unseen machinery. In this original flash-fiction triptych by Lucas Varro, hunger becomes debt, witness becomes participation, and attention itself acquires a price. Enter through Mirror Hunger, where one rule has always been enough: do not lean close.
If this piece found something in you, you may wish to continue the journey elsewhere.
On The Lantern Chronicles, I gather writings from Angkor, myth and legend, contemplative essays, and poetry — works shaped by silence, beauty, wonder, memory, and the deeper questions that follow us through the world.
It is a place for stone and story, reflection and vow, shadow and revelation.
You would be most welcome there.