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The sun was beginning its descent, gold leaning low through the canopy, when I entered the sanctuary at Prasat Kravan. The bricks, ancient and porous, radiated a soft warmth, but it was the figure of Lakshmi who held the light.

Carved over a thousand years ago, she rose from the wall with four arms in effortless balance, one hand cradling a disc, another a trident—symbols of Vishnu and Shiva, creation and dissolution. Yet it was not iconography I felt, but presence.

In that moment, the room did not seem abandoned. It was not ruin but reliquary. The air held the echo of quiet voices, oil lamps, breath. The goddess was not remembered—she was still remembering.

Molten hush descends—
gold keeps the prayer alive,
stone exhales soft light

I set the tripod gently. A long exposure followed, though it felt less like taking than receiving. The lens opened, and the chamber offered itself—brick, dust, and glow—to the silver sheet of film.

Later, in the studio, I would return to that warmth. Chiaroscuro helped me shape the curve of her presence, hand-toning allowed the golden memory to emerge. But nothing I added could replace what the light had given freely: a trace of the divine still breathing in the body of brick.


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