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I stepped onto the sandstone causeway while the sky was still veiled in the last notes of night.  Each pilgrimage footfall ahead of me sounded less like movement than memory.  A monk paused beneath the vaulted arch, lifting a single stick of joss.  The ember glimmered—the briefest star—and smoke curled upward, vanishing into the dark rafters.

Below that rising thread stood Ta Reach, the eight-armed Vishnu, cloaked in sequined saffron and half-draped shadow.  I waited, camera still at my chest, until the air within the gopura settled into the tempo of his granite breath.  Light gathered slowly, folding along his shoulders, brushing the curve of a smile too ancient to belong solely to mankind—yet tender enough to remind us the divine has worn our faces before.

Incense finds the dark—
stone exhales what night has kept,
dawn leans into breath.

The shutter opened like an eyelid unclenching a dream.  Time slipped: one long exposure that felt shorter than a heartbeat, longer than an age.  In that unmeasured interval, the statue seemed to lean forward—not physically, but with presence—affirming every pilgrim’s quiet hope that the sacred is still awake.  Later, in the dim red hush of the darkroom, I coaxed that presence back into fibre and tone, letting chiaroscuro recall what the corridor had whispered: creation and dissolution are held gently in the same unseen palm.

Outside, the lilies along the moat caught their first light.  Within, a softer brightness remained—hovering in the space my breath had briefly occupied.  I left a single jasmine petal at the statue’s base and stepped away, carrying the weight of a gaze that belonged to both past and forever.


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