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2 min read
I stepped onto the sandstone causeway while the sky was still veiled in the last notes of night. Each pilgrimage footfall ahead of me sounded less like movement than memory. A monk paused beneath the vaulted arch, lifting a single stick of joss. The ember glimmered—the briefest star—and smoke curled upward, vanishing into the dark rafters.
Below that rising thread stood Ta Reach, the eight-armed Vishnu, cloaked in sequined saffron and half-draped shadow. I waited, camera still at my chest, until the air within the gopura settled into the tempo of his granite breath. Light gathered slowly, folding along his shoulders, brushing the curve of a smile too ancient to belong solely to mankind—yet tender enough to remind us the divine has worn our faces before.
Incense finds the dark—
stone exhales what night has kept,
dawn leans into breath.
The shutter opened like an eyelid unclenching a dream. Time slipped: one long exposure that felt shorter than a heartbeat, longer than an age. In that unmeasured interval, the statue seemed to lean forward—not physically, but with presence—affirming every pilgrim’s quiet hope that the sacred is still awake. Later, in the dim red hush of the darkroom, I coaxed that presence back into fibre and tone, letting chiaroscuro recall what the corridor had whispered: creation and dissolution are held gently in the same unseen palm.
Outside, the lilies along the moat caught their first light. Within, a softer brightness remained—hovering in the space my breath had briefly occupied. I left a single jasmine petal at the statue’s base and stepped away, carrying the weight of a gaze that belonged to both past and forever.

2 min read
Angkor Wat survived by learning to change its posture. Built as a summit for gods and kings, it became a place of dwelling for monks and pilgrims. As belief shifted from ascent to practice, stone yielded to routine—and the mountain learned how to remain inhabited.

2 min read
Theravada endured by refusing monumentality. It shifted belief from stone to practice, from kings to villages, from permanence to repetition. What it preserved was not form but rhythm—robes, bowls, chants, and lives lived close together—allowing faith to travel when capitals fell and temples emptied.

2 min read
The final Sanskrit inscription at Angkor does not announce an ending. It simply speaks once more, with elegance and certainty, into a world that had begun to listen differently. Its silence afterward marks not collapse, but a quiet transfer of meaning—from stone and proclamation to practice, breath, and impermanence.
Angkor Wat Temple, Angkor, Cambodia — 2020
Limited Edition Archival Pigment Print
Edition
Strictly limited to 25 prints + 2 Artist’s Proofs
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
8 x 8 inches (20.3 x 20.3 cm)
Morning gathers in the western gate of Angkor Wat, where a single thread of incense rises toward a darkened ceiling, and the eight-armed Vishnu—Ta Reach—emerges from shadow into a slant of newborn light. Sequined saffron cloth, garlands, and weathered sandstone combine not into sculpture, but into presence.
Pilgrims pass barefoot across the worn stone floor. A monk lights a stick of joss and bows beneath the vaulted hush. Here, the gods do not sleep—they listen. The artist lingers in silence, waiting not for a perfect frame, but for communion. When the shutter opens, it is in reverence.
Captured on medium-format black-and-white film, the image was shaped in the studio through classical chiaroscuro techniques and hours of patient hand-toning. Each gesture on the print speaks with its own voice—depths of shadow, glints of light, a carved smile that contains both creation and dissolution.
Printed as a hand-toned archival pigment work on Hahnemühle Bamboo paper, the result is a tactile hymn—each piece signed, numbered, and offered in a strictly limited edition of 25 with 2 Artist’s Proofs.
Let this silent guardian keep watch within your calmest room.
Previously titled ‘Ta Reach Vishnu, Study I, Angkor Wat Temple, Cambodia. 2020,’ this photograph has been renamed to better reflect its place in the series and its spiritual tone. The edition, provenance, and authenticity remain unchanged.
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Receive occasional letters from my studio in Siem Reap—offering a glimpse into my creative process, early access to new fine art prints, field notes from the temples of Angkor, exhibition announcements, and reflections on beauty, impermanence, and the spirit of place.
No noise. No clutter. Just quiet inspiration, delivered gently.
Subscribe and stay connected to the unfolding story.