Axis of Dawn
Before sun-rise, the towers of Angkor Wat do not rise; they are revealed—drawn upward by the slow brightening of cloud even as their twin silhouettes deepen upon the lotus pond. Lucas Varro stands motionless at water’s edge, camera poised, breath folded into the larger stillness. The long exposure that follows gathers cloud-drift, palm murmur, and stone prayer into one continuous filament of time.
Captured on 8 × 10 black-and-white negative, the scene moves next into the dim sanctuary of the studio. There, classical chiaroscuro and hand-toning transform technique into offering: shadows tempered like incense smoke, highlights cooled to the quiet of morning marble. Printed on warm-toned Hahnemühle Bamboo, the image carries the tactile memory of that predawn air.
Curatorially, Sacred Reflection functions as the axis mundi within the Spirit of Angkor series—a visible hinge where ascent meets descent, where Mount Meru’s symbolism and its water-borne echo form a mandala of unity. The print’s symmetry invites meditative regard: to gaze is to be momentarily suspended between heaven’s unfolding and earth’s recall.
For collectors, rarity intertwines with devotion. The edition is limited to 25 archival pigment prints plus 2 Artist’s Proofs, each signed and numbered on the border recto and accompanied by a Certificate of Authenticity. Acquiring the piece is less possession than guardianship of a stillness that will not repeat. Place it where dawn’s hush is welcome, and the mirror of quiet will remain.
Also in Library
Multiplicity and Mercy — The Face Towers of Jayavarman VII
A new vision of kingship rises at the Bayon: serene faces turned to every horizon, shaping a world where authority is expressed as care. Moving through the terraces, one enters a field of steady, compassionate presence — a landscape where stone, light, and time teach through quiet attention.
Stone That Dreams
Bayon wakes like a mind emerging from shadow. Its many faces shift with light and breath, teaching that perception—and the self—is never singular. In walking this forest of towers, the pilgrim discovers a quiet multiplicity within, held together by a calm that feels both ancient and newly understood.
The Still Eye — Craft, Meditation, and the Listening Camera
In the darkroom, silver begins to breathe—and a morning at Bayon returns. The essay moves from tray to temple and back, tightening its centre around a single vow: consent, not capture. A butterfly’s tremor, a lintel at dawn, a print clearing in water. Craft becomes meditation; the camera, a quiet bowl for light.
$250
Angkor Wat Temple, Angkor, Cambodia — 2020
Limited Edition Archival Pigment Print
Edition
Strictly limited to 25 prints + 2 Artist’s Proofs
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
8 x 8 inches (20.3 x 20.3 cm)
Dawn enters on a breath so soft it barely stirs the palms. Over the lotus pond, the five towers of Angkor Wat rise not in stone, but in reflection—sky doubling back into water, memory leaning toward form.
The hush is complete. Wind holds its voice. Light kneels. In this early hour, Lucas Varro stood unseen, lens poised at the water’s edge. Reverence guided the exposure—a slow inhalation of the moment as the towers drifted into mirrored stillness.
Captured on 8×10 black-and-white film, the image was later shaped in the darkroom through classical chiaroscuro and hand-toned with care. Shadow and light were coaxed gently forward, honoring the atmosphere of that silent hour.
Each impression is a museum-grade archival pigment print on sustainable Hahnemühle Bamboo, limited to 25 prints with 2 Artist’s Proofs, signed and numbered on the border recto.
Let this reflection become the still water of your interior shrine.
To step softly into the hush of mirrored dawn, click here and enter the Artist’s Journal.
Previously titled ‘Dawn Reflection, Angkor Wat Temple, Cambodia. 2020,’ this photograph has been renamed to better reflect its place in the series and its spiritual tone. The edition, provenance, and authenticity remain unchanged.
