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The vine moved first—barely.  Its green curl trembled against the cheek of the ruined guardian.  Not wind, not gesture, but something more ancient.  The kind of movement that belongs to silence, to roots, to breath drawn below speech.

I lowered my voice within.  Even the click of the tripod felt like intrusion.  Across the tower’s fractured geometry, dawn spilled unevenly, filling cracks like water searching for its own depth.  The face turned slightly away—not from me, but from the need to be seen.
In that moment, the rain began again.

Captured on medium-format black-and-white film, the exposure lasted just long enough to let the mist enter the frame—not as subject, but as presence.

The rain has forgotten
its own falling.
Stone remembers for it—
each drop a slow syllable
in a prayer older than language.

A face, half-broken, half-becoming,
lifts into stormlight
like a mountain listening.
I stand below,
heartbeat loosened
into the hush between breaths.

What guards such silence?
Only the gaze
that has already seen us depart,
and still keeps watch
for the quiet we might leave behind.


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