The Hoof That Called the Evening Down
The medallion was easy to miss. No grandeur, no height. Just a small ring of carved leaves near the base of a corridor wall. And inside it—a deer, mid-step, its flank catching the last breath of the sun.
Everything around it had begun to darken. The vines hung low. The stone smelled of dust and rain. But that circle of light held. Not bright—just enough. The kind of light that feels like memory instead of fire.
I stood with the camera for a long time. Letting the hush arrive. Then, quietly, I exposed the film. I knew the silver would hold it more tenderly than words ever could.
In the studio, I shaped the tones until dusk began to gather again. Gold was added by hand, softly—less an effect, more a remembrance. Something to honour the silence that had come before it.
The deer lifts its hoof
into the last breath of dusk—
no wind,
no sound,
only gold gathering
in the folds
of shadow.
Also in Library
The Devata at First Light
At first light in Banteay Kdei, a devata draws the eye into stillness. Through sanguine chalk, black shadow, and repeated returns to the page, sketch and prose slowly deepen into a single act of devotion—until the words, too, learn how to remain.
The Spark and the Weight of Being Human
At some point in our past, a human asked the first question—and self-awareness was born. Yet the same consciousness that gave us power also confronts us with our limits. This essay explores the paradox of being human: the spark of understanding and the weight of knowing.
The Pact of the Uncounted Grain
A village does not starve only when rice runs out. It begins to thin when everything is counted, explained, and held too tightly. The Pact of the Uncounted Grain remembers an older law: that once each season, abundance must pass through human hands without measure, or the world begins, quietly, to lose its meaning.
$250
Ta Prohm, Temple, Angkor, Cambodia — 2021
Limited Edition Archival Pigment Print
Edition
Strictly limited to 25 prints + 2 Artist’s Proofs
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
8 x 8 inches (20.3 x 20.3 cm)
A deer, encircled by stone leaves, raises one hoof into light that feels both remembered and newly born. When the Deer Danced the Sun Down captures a moment not of action, but of invocation—a gesture held in silence that seemed to draw dusk from the sky.
At Ta Prohm Temple, as the Cambodian sun vanished behind the jungle canopy, a sandstone medallion shimmered with sudden presence. The deer appeared to glow from within, its curved form receiving light as breath, not surface. The image evokes sacred circularity—motion paused in eternity.
Captured on medium format black-and-white film with long exposure, the photograph was later shaped using classical chiaroscuro techniques to reveal its quiet gravity. Each print is hand-toned in gold, echoing the molten warmth of that sacred dusk.
Printed on museum-grade Hahnemühle Bamboo paper, this archival pigment print is signed and numbered in a strictly limited edition of 25 + 2 Artist’s Proofs.
Let it offer stillness—the kind that glows in the corner of your room long after the sun has gone.
Click here to enter the Artist’s Journal and step deeper into the hush behind the light.
