The Well
Morning.
The rope damp in his hands.
Stone cool against his knees.
He lowered the bucket.
It struck the wall,
rang once,
then went quiet.
Someone stood behind him.
He did not turn at first.
The air felt thinner,
like breath held too long.
When he looked,
she was there—
bare feet in the dust,
watching the mouth of the well
as if it might answer her.
They said nothing.
The bucket rose, heavy with water.
It spilled over his wrist,
cold enough to sting.
She reached for his hand.
Her fingers were cool.
Unfinished.
For a moment,
everything stayed.
The rope stopped burning.
The world balanced
on the sound of water
settling in the bucket.
Then it ended.
No sign.
No wind.
Light thickened.
A bird cried out.
The rope bit again.
Years later,
he still drew water there.
Sometimes, at dawn,
the air thinned.
He would pause,
hand on the rope,
and feel the place
where something once stood
and taught his body
what it would not keep.
Also in Library
Where a Name Could Not Follow
A boy in the sandstone quarries beneath Phnom Kulen learns the first law of sacred building: not strength, not speed, but attention. Where a Name Could Not Follow imagines the life of an unnamed Angkorean stone-master whose hands helped move mountain into temple — and whose name vanished where the stone endured.
The Apsara Against the Assembly Line
In the darkroom, the print rises slowly from the tray: silver darkening into shadow, stone gathering itself from blankness. At Angkor, the apsaras offer the same lesson. Though repeated in their thousands, each waits to be seen. Against the assembly line of speed and sameness, slowness restores the soul’s signature.
The Wall That Still Holds Them
Two presences endure within a wall that no longer closes seamlessly around them. One withdraws into shadow; the other comes further into the light of legibility. Around them, fracture, erosion, and carved stone become a single field of custody, where grace survives within damage, not beyond it.
Continue Reading
If this piece found something in you, you may wish to continue the journey elsewhere.
On The Lantern Chronicles, I gather writings from Angkor, myth and legend, contemplative essays, and poetry — works shaped by silence, beauty, wonder, memory, and the deeper questions that follow us through the world.
It is a place for stone and story, reflection and vow, shadow and revelation.
You would be most welcome there.