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Some places are entered before the body arrives,
and remain standing after it leaves.
I have not been there,
and yet something in me is already tired from walking.
I know the colour of stone at dawn
without having earned it.
I imagine corridors that cool the air
by remembering water.
I imagine doorways
that do not hurry you.
Sometimes the longing arrives
as a weight in the chest,
sometimes as relief—
as if a life elsewhere
were quietly continuing
without me.
I want to stand where devotion
was once an ordinary task,
where hands learned patience
by touching the same surface
for centuries.
I want to be smaller
without being diminished.
I want to look at the world
long enough
that it forgets
I am watching.
I have been there,
and now everything else asks less of me
than it should.
I walk streets that function perfectly
and feel almost accused.
Stone taught me a different pace—
one that does not improve,
only deepens.
I remember light entering halls
as if it were allowed,
as if it had waited.
The absence is not dramatic.
It is precise.
A quiet pressure behind the ribs,
the sense that something essential
has remained upright
somewhere else.
I return in fragments:
breath slowing,
footsteps choosing silence,
attention becoming a form of care.
I am careful now
with what I give myself to—
knowing how easily
a place can take you whole,
and leave you
remembering how.
—
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18 min read
Some of Angkor’s most intimate ruins do not rise above the ground at all. They are postholes, low mounds, hearths and ponds: durable traces of a domestic city built largely from things that decay. To restore that city is to see Angkor not only as stone, but as wood, smoke, water, repair, and people living within calling distance.

5 min read
I had mistaken a gift for something being expelled.
Beneath the nāga's mouth, a stone garland descended bead by bead. Nearby, a makara opened its jaws and another form emerged. Looking closer, the whole temple began to change: serpent became ornament, ornament became architecture, architecture became foliage.
The forest did not introduce this language.
It answered it.

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Seven daughters have already been taken by Yamata-no-Orochi when Susanoo reaches the River Hi. Only Kushinada-hime remains. The Eighth Daughter retells the Kojiki episode through a family’s waiting, a girl transformed into a comb, and the patient preparation for the serpent’s return.