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1 min read
Some places are entered before the body arrives,
and remain standing after it leaves.
I have not been there,
and yet something in me is already tired from walking.
I know the colour of stone at dawn
without having earned it.
I imagine corridors that cool the air
by remembering water.
I imagine doorways
that do not hurry you.
Sometimes the longing arrives
as a weight in the chest,
sometimes as relief—
as if a life elsewhere
were quietly continuing
without me.
I want to stand where devotion
was once an ordinary task,
where hands learned patience
by touching the same surface
for centuries.
I want to be smaller
without being diminished.
I want to look at the world
long enough
that it forgets
I am watching.
I have been there,
and now everything else asks less of me
than it should.
I walk streets that function perfectly
and feel almost accused.
Stone taught me a different pace—
one that does not improve,
only deepens.
I remember light entering halls
as if it were allowed,
as if it had waited.
The absence is not dramatic.
It is precise.
A quiet pressure behind the ribs,
the sense that something essential
has remained upright
somewhere else.
I return in fragments:
breath slowing,
footsteps choosing silence,
attention becoming a form of care.
I am careful now
with what I give myself to—
knowing how easily
a place can take you whole,
and leave you
remembering how.

1 min read
This poem listens to Angkor not as ruin, but as grammar—where moss, shadow, and proportion carry devotion forward without spectacle. What endures here is not glory, but measure: a way of standing that no longer needs witnesses.

3 min read
At harvest, the danger is not hunger but forgetting how to listen.
This folklore retelling speaks of drums struck for silence, of grain taken without gratitude, and of a narrow figure who does not punish—only waits. A tale of pacts made not with spirits, but with attention itself.

2 min read
A lost city sleeps in the jungle, its thresholds carved with serpents — not ornament, but law. This vow-poem enters love as sacred hunger: desire as guardianship, devotion as possession, the body speaking without language. A liturgy of heat, roots, rain, and the terrible tenderness of being claimed.
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Receive occasional letters from my studio in Siem Reap—offering a glimpse into my creative process, early access to new fine art prints, field notes from the temples of Angkor, exhibition announcements, and reflections on beauty, impermanence, and the spirit of place.
No noise. No clutter. Just quiet inspiration, delivered gently.
Subscribe and stay connected to the unfolding story.