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Some places are entered before the body arrives,
and remain standing after it leaves.
I have not been there,
and yet something in me is already tired from walking.
I know the colour of stone at dawn
without having earned it.
I imagine corridors that cool the air
by remembering water.
I imagine doorways
that do not hurry you.
Sometimes the longing arrives
as a weight in the chest,
sometimes as relief—
as if a life elsewhere
were quietly continuing
without me.
I want to stand where devotion
was once an ordinary task,
where hands learned patience
by touching the same surface
for centuries.
I want to be smaller
without being diminished.
I want to look at the world
long enough
that it forgets
I am watching.
I have been there,
and now everything else asks less of me
than it should.
I walk streets that function perfectly
and feel almost accused.
Stone taught me a different pace—
one that does not improve,
only deepens.
I remember light entering halls
as if it were allowed,
as if it had waited.
The absence is not dramatic.
It is precise.
A quiet pressure behind the ribs,
the sense that something essential
has remained upright
somewhere else.
I return in fragments:
breath slowing,
footsteps choosing silence,
attention becoming a form of care.
I am careful now
with what I give myself to—
knowing how easily
a place can take you whole,
and leave you
remembering how.
—
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1 min read
One hand rises towards her breast; the other follows her waist. Between their gestures, the smallest spaces become strangely difficult to leave.

1 min read
A face of perfect composure. Two hands still busy with a crown. A tiny human comedy, held in weathered stone.

1 min read
A little doorway keeps its darkness. Beneath the waterline, another appears — just as clear, and impossible to touch.