When Gold Became Gesture
The corridor was warm, the shadows soft.
A royal couple stood carved into the wall—still and upright, crowned and timeless. Before them, two attendants knelt, not in submission, but in reception. Their palms were raised gently, as though to receive something unseen.
I watched the sandstone take on gold. The jungle light, diffused by canopy and dust, poured inward and gave the relief its breath. Every figure seemed to lean, not toward motion, but toward presence.
It felt like something was arriving.
The film would hold it, just barely. But the real work—the alchemy—would unfold later. In silence. In layers. In hours of light remembered through shadow.
And even now, I do not think of it as capturing. It was a meeting. A brief exchange.
The gallery quieted—
not from absence,
but from arrival.Light entered
not as witness,
but as gesture—warmth
curling into stone,
then stillness
unfolding
into breath.The kneeling hands
did not ask.
They opened.And the world
became
a welcome.
Also in Library
From Mountain to Monastery
Angkor Wat survived by learning to change its posture. Built as a summit for gods and kings, it became a place of dwelling for monks and pilgrims. As belief shifted from ascent to practice, stone yielded to routine—and the mountain learned how to remain inhabited.
Why Theravada Could Outlast Stone
Theravada endured by refusing monumentality. It shifted belief from stone to practice, from kings to villages, from permanence to repetition. What it preserved was not form but rhythm—robes, bowls, chants, and lives lived close together—allowing faith to travel when capitals fell and temples emptied.
The End of Sanskrit at Angkor
The final Sanskrit inscription at Angkor does not announce an ending. It simply speaks once more, with elegance and certainty, into a world that had begun to listen differently. Its silence afterward marks not collapse, but a quiet transfer of meaning—from stone and proclamation to practice, breath, and impermanence.
$250
Angkor Wat Temple, Angkor, Cambodia — 2020
Limited Edition Archival Pigment Print
Edition
Strictly limited to 25 prints + 2 Artist’s Proofs
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
8 x 8 inches (20.3 x 20.3 cm)
The corridor held its silence as the sun began to fall. In that narrow hush, light slipped through the jungle and touched the wall like breath. The carving—centuries old—seemed to stir, not with movement, but with inward glow.
A royal pair stood at the center, flanked by kneeling figures whose hands, lifted in reverence, caught the last warmth of day. This was not a scene of myth, but of return—light meeting stone in recognition.
I waited. When the moment gathered itself, I exposed one frame of medium-format black-and-white film. It felt less like taking than receiving.
In the studio, the photograph unfolded slowly. Through classical chiaroscuro and meticulous hand-toning, the image regained its warmth, its breath. Printed on museum-grade Hahnemühle Bamboo paper, and strictly limited to 25 prints with 2 Artist’s Proofs, each work is shaped as a gesture of stillness and care.
May this print serve as a silent welcome—
a resting place for light in your keeping.
Click here to enter the Artist’s Journal and follow the gold into dusk.
