A Prayer Cradled in Brick
Evening lowers itself through the open roof like an invisible offering. The air smells of sun-warmed clay and leaf-shadow. I step into the chamber as one might step into memory, though I have never been here before.
Lakshmi, supreme Shakti, stands in glowing relief—four arms raised in celestial symmetry, her feet flanked by carved devotees softened by time. She does not seem carved into the brick so much as revealed from within it.
The light glows through her, not merely upon her. It is this inner radiance I try to receive with the lens. One long exposure: forty seconds of stillness, dust, and grace. Later, in the studio, I’ll try to give the print that same quiet ember. But this moment already contains it.
Last gold on red brick—
Shakti keeps the dusk alight,
roots listen for dawn
Also in Library
Hands of the Sculptor — The Craft as Meditation
In the hush of the galleries, the sculptor listens rather than strikes.
Each breath, each measured blow, opens silence a little further.
Unfinished reliefs reveal the moment when mastery becomes meditation—
when patience itself is carved into being,
and the dust that falls at a mason’s feet becomes the residue of prayer.
The Asura Within
At the gates of Angkor Thom, gods and demons share a single serpent.
Across this bridge of struggle the pilgrim learns that the asura is not evil but unfinished — the restless force within each of us still grasping for light.
To cross the naga is to balance passion with compassion, struggle with stillness, shadow with dawn.
Garuda and the Serpent · Flight and Surrender
Between Garuda’s wings and the Nāga’s coils, Angkor breathes its oldest truth: flight and surrender are one motion. In the carvings where sky and water entwine, the pilgrim learns that freedom depends upon gravity, and that stillness itself is a kind of flight.
$250
Kravan Temple, Angkor, Cambodia — 2020
Limited Edition Archival Pigment Print
Edition
Strictly limited to 25 prints + 2 Artist’s Proofs
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
8 x 8 inches (20.3 x 20.3 cm)
A final breath of sun threads through the broken roof of Prasat Kravan and brushes Lakshmi into living gold. She emerges from the brick wall—not only as the goddess of wealth and beauty, but as the supreme Shakti, consort of Vishnu, and one third of the sacred Tridevi. Her arms open into blessing, her presence woven into the silence like a lamp still lit.
The chamber stills. The air holds centuries of incense, murmured prayers, and vanished flame. In that hush, I recognize not just sculpture but presence—offered, intact. I open the lens and let the moment settle into silver.
Captured on large-format black-and-white film, the image was later shaped through chiaroscuro and delicate hand-toning to restore the glow that dusk had granted. Printed on museum-grade Hahnemühle Bamboo paper, each print holds the warmth of that shrine, lovingly preserved. The edition is limited to twenty-five numbered impressions with two Artist’s Proofs.
Let this quiet ember of divine Shakti dwell as a radiant threshold in your space.
Click here to step into the Artist’s Journal and trace the path of her golden breath.
Previously titled ‘Lakshmi, Study 2, Kravan Temple, Angkor, Cambodia. 2020,’ this photograph has been renamed to better reflect its place in the series and its spiritual tone. The edition, provenance, and authenticity remain unchanged.
