Breath Before the Blade
“What is remembered in silence cannot be lost.”
The rain had passed before I arrived, but the stone still held its breath. I stepped into the hush of the corridor, where the carved armies of the Mahabharata stretched endlessly across the wall. The air was thick with the after-scent of water and old thunder. The figures, for all their fury and motion, seemed to float.
And then—there he was.
One dancer. One soldier. One soul in mid-stride.
He was not larger than the others, not central in the frieze, not crowned or adorned. But something in the way he lifted his foot—lightly, almost shyly—and raised his hand toward nothing, held me still. The gesture was not martial. It was reverent. As if the moment before the blow were more sacred than any glory it might bring.
I stood there, breath slowing. I could not photograph immediately. I waited until the gesture no longer seemed like stone, but memory—until I felt what the shadow still remembered.
stone arm lifted high—
a breath stilled before the storm,
shadow falls in light
Also in Library
Those Who Keep the Way Open — On the Quiet Guardians of Angkor’s Thresholds
Quiet gestures shape the way into Angkor — a swept stone, a refilled bowl, a hand steadying a guardian lion. This essay reflects on the unseen custodians whose daily care keeps the thresholds open, revealing how sacredness endures not through stone alone, but through those who tend its meaning.
Multiplicity and Mercy — The Face Towers of Jayavarman VII
A new vision of kingship rises at the Bayon: serene faces turned to every horizon, shaping a world where authority is expressed as care. Moving through the terraces, one enters a field of steady, compassionate presence — a landscape where stone, light, and time teach through quiet attention.
Stone That Dreams
Bayon wakes like a mind emerging from shadow. Its many faces shift with light and breath, teaching that perception—and the self—is never singular. In walking this forest of towers, the pilgrim discovers a quiet multiplicity within, held together by a calm that feels both ancient and newly understood.
$250
Angkor Wat Temple, Angkor, Cambodia — 2020
Limited Edition Archival Pigment Print
Edition
Strictly limited to 25 prints + 2 Artist’s Proofs
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
8 x 8 inches (20.3 x 20.3 cm)
In the hush of Angkor Wat’s storm-washed corridors, a lone dancer stirs the stone. He is carved into the great Mahabharata relief—a Kaurava soldier, mid-stride, one hand lifted not in violence, but in invocation. Though his fate is sealed, the gesture endures.
The wall around him surges with warriors, yet this figure holds the eye. His pose is graceful, vital, filled with a beauty that mourns its own vanishing. He dances not for triumph, but for remembrance—for the spark that flickers just before it is lost.
Lucas Varro encountered this moment in silence, and rendered it with equal care. Captured on large format black-and-white film with a long exposure, the negative was later shaped using classical chiaroscuro techniques. Each print is hand-toned by the artist to coax forth the radiance buried in the stone.
This is a museum-quality archival pigment print on Hahnemühle Bamboo paper. The edition is strictly limited to 25, with 2 Artist’s Proofs. Signed and numbered on border recto, each piece is crafted as a contemplative threshold.
He lifted his hand,
and the centuries stood still.
Click here to enter the Artist’s Journal and follow the echo of his breath.
