Complimentary worldwide shipping on orders over $400 · No import tariffs for most countries

0

Your Cart is Empty

To lift one foot in light is to begin a prayer.

Ta Prohm reveals its secrets softly. Carvings half-veiled by vines. Echoes beneath the canopy. It was near dusk when Lucas Varro noticed a small medallion embedded in the sandstone—so subtle it might have gone unseen.

Within it, a deer raised one hoof inside a circle of carved foliage. The gesture was precise, poised—not frozen, but eternally unfolding. For a few golden minutes, the jungle light touched the stone as if in communion. The image does not depict movement, but remembers it.

That remembrance forms the heart of When the Deer Danced the Sun Down.

Captured on medium format black-and-white film in 2021, the photograph was shaped using classical chiaroscuro to invite emotional depth and visual stillness. The final print is hand-toned in gold—honouring the molten hush of dusk that had illuminated the deer not with spectacle, but with grace.

Printed on museum-grade Hahnemühle Bamboo paper, the work is available in a signed and numbered edition of 25 + 2 Artist’s Proofs. Each piece is not merely a document of sacred ruin, but a devotional artefact—where light becomes a gesture, and stillness becomes breath.

To those who receive it, the image offers more than an aesthetic encounter. It offers a quiet threshold—into time remembered, light received, and prayer in the form of a single raised hoof.


More from the Library

Houses of Wood, Light, and Smoke
Houses of Wood, Light, and Smoke

18 min read

Some of Angkor’s most intimate ruins do not rise above the ground at all. They are postholes, low mounds, hearths and ponds: durable traces of a domestic city built largely from things that decay. To restore that city is to see Angkor not only as stone, but as wood, smoke, water, repair, and people living within calling distance.

Read More
What Stone Brings Forth
What Stone Brings Forth

5 min read

I had mistaken a gift for something being expelled.
Beneath the nāga's mouth, a stone garland descended bead by bead. Nearby, a makara opened its jaws and another form emerged. Looking closer, the whole temple began to change: serpent became ornament, ornament became architecture, architecture became foliage.
The forest did not introduce this language.
It answered it.

Read More
The Eighth Daughter
The Eighth Daughter

2 min read

Seven daughters have already been taken by Yamata-no-Orochi when Susanoo reaches the River Hi. Only Kushinada-hime remains. The Eighth Daughter retells the Kojiki episode through a family’s waiting, a girl transformed into a comb, and the patient preparation for the serpent’s return.

Read More