Complimentary worldwide shipping on orders over $400 · No import tariffs for most countries

0

Your Cart is Empty

Bayon, the temple-mountain of serene visages, reveals more than devotion—it reveals breath.  In Where Stone Still Breathes, two faces meet across a threshold of light: one swathed in shadow, the other kissed by dawn.  Their silence is not absence—it is presence enduring.

Lucas Varro captured this image on medium-format black-and-white film in the pale hush before sunrise.  The long exposure allows time to settle into each fissure.  Later, through chiaroscuro shaping and hand-toning, the artist guided light into gesture, shadow into breath.  The photograph is not a document, but a communion.

Within the Spirit of Angkor series, this work embodies the paradox of impermanence and gaze.  Here, compassion outlives empire.

Printed as a hand-toned archival pigment print on Hahnemühle Bamboo paper—chosen for its warmth, sustainability, and spiritual tactility—this image is offered in a strictly limited edition of 25, with 2 Artist’s Proofs.  Each is signed and numbered on the border recto, and accompanied by a certificate of authenticity.

May it enter your space not as artefact, but as guardian.  A quiet witness to stillness that still breathes.


Also in Library

Multi-towered Angkorian stone temple with long causeway and surrounding galleries in red and black chalk style.
From Mountain to Monastery

2 min read

Angkor Wat survived by learning to change its posture. Built as a summit for gods and kings, it became a place of dwelling for monks and pilgrims. As belief shifted from ascent to practice, stone yielded to routine—and the mountain learned how to remain inhabited.

Read More
Two robed monks walking toward a small temple building with distant stone towers in red and black chalk style.
Why Theravada Could Outlast Stone

2 min read

Theravada endured by refusing monumentality. It shifted belief from stone to practice, from kings to villages, from permanence to repetition. What it preserved was not form but rhythm—robes, bowls, chants, and lives lived close together—allowing faith to travel when capitals fell and temples emptied.

Read More
Angkorian stone temple with naga-lined causeway and central towers in red and black chalk style.
The End of Sanskrit at Angkor

2 min read

The final Sanskrit inscription at Angkor does not announce an ending. It simply speaks once more, with elegance and certainty, into a world that had begun to listen differently. Its silence afterward marks not collapse, but a quiet transfer of meaning—from stone and proclamation to practice, breath, and impermanence.

Read More