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2 min read
Dubhi enters the field of Angkor not as a villain announced in advance, but as weight. He is mass before meaning, muscle before narrative. The stone does not rush to explain him. It allows his presence to register slowly, like an animal standing just within the edge of sight, testing whether the clearing will hold.
In the Reamker, Dubhi survives a violence that precedes him. His father, fearing succession, attempts to erase his own future. Dubhi lives on as residue, not heir. What follows is not ambition but wandering. He moves through the forest without a throne, without a mandate, carrying strength that has nowhere to settle. Power without direction becomes pressure. It seeks contact.
When Dubhi meets Valin, the encounter is not framed as good against evil. It is a collision of densities. Dubhi’s force is blunt, expansive, difficult to manoeuvre. He does not deceive or strategise. He occupies space. In this, he resembles the earth itself—patient, resistant, unpersuadable. Such power unsettles order not because it plots, but because it refuses to yield.
The relief at Banteay Samre captures Dubhi at the moment when force is seized and turned. His body folds, yet he is not diminished into abstraction. The buffalo remains recognisable, heavy even in defeat. This is important. The stone does not annihilate him. It records the cost of containment. Strength must be handled. It cannot simply be erased.
Dubhi’s fate is often read as proof of another’s superiority, but the carving allows a quieter interpretation. Dubhi is what happens when power is severed from inheritance, when survival produces strength without a place to belong. He is not chaos in motion; he is excess without shelter. The world responds by forcing him down, not because he is wicked, but because he cannot be held otherwise.
Local legend lingers on the physical trace of this moment—the twisted neck, the folds that remain on all buffaloes. Memory enters the body. Myth refuses to stay distant. The land remembers what happened when strength met judgement, and inscribes it not in words, but in flesh.
Dubhi does not return. There is no redemption arc carved into the stone. Yet neither is there triumph. What remains is a moral weight pressed into the ground: that power born only from survival carries no instruction for its own use, and that the world, sooner or later, will intervene to supply one.

2 min read
Angkor Wat survived by learning to change its posture. Built as a summit for gods and kings, it became a place of dwelling for monks and pilgrims. As belief shifted from ascent to practice, stone yielded to routine—and the mountain learned how to remain inhabited.

2 min read
Theravada endured by refusing monumentality. It shifted belief from stone to practice, from kings to villages, from permanence to repetition. What it preserved was not form but rhythm—robes, bowls, chants, and lives lived close together—allowing faith to travel when capitals fell and temples emptied.

2 min read
The final Sanskrit inscription at Angkor does not announce an ending. It simply speaks once more, with elegance and certainty, into a world that had begun to listen differently. Its silence afterward marks not collapse, but a quiet transfer of meaning—from stone and proclamation to practice, breath, and impermanence.
Original artist's print on bamboo paper.
Image 7.25 x 9.1 inches, 18.4 x 23.1 cm
Hand-signed and numbered on border recto.
Edition 5/25
This is an exceptional, individually crafted, museum-quality archival print on fine art paper.
It is accompanied by a unique certificate of authenticity to certify and preserve the provenance of your artwork.
Other print sizes and fine art framing services are available on request.
Art is the creation of forms symbolic of human feeling.
– Suzanne Langer (1895-1985) [Feeling and Form]
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Receive occasional letters from my studio in Siem Reap—offering a glimpse into my creative process, early access to new fine art prints, field notes from the temples of Angkor, exhibition announcements, and reflections on beauty, impermanence, and the spirit of place.
No noise. No clutter. Just quiet inspiration, delivered gently.
Subscribe and stay connected to the unfolding story.