Gold and Ash in Temple Silence
The stone beneath my palm held the day’s departing heat. Birds fell silent; the corridor drew one long, dim breath. Dust, rain-memory, and lichen scented the hush. Bas-relief figures—horses, chariots, warriors—rose not by motion, but by presence.
One figure anchored everything: shield lifted in an act beyond naming. A final shaft of gold traced his form, gracing sorrow with light older than war.
I waited, camera stilled, to receive rather than claim. Later, slow washes of gold and ash tempered the print, honouring that hush. Not an image of battle, but of what outlasts it: a question carried in shadow.
evening light lingers—
a fallen shield in shadow
keeps the hush of time
Also in Library
Multiplicity and Mercy — The Face Towers of Jayavarman VII
A new vision of kingship rises at the Bayon: serene faces turned to every horizon, shaping a world where authority is expressed as care. Moving through the terraces, one enters a field of steady, compassionate presence — a landscape where stone, light, and time teach through quiet attention.
Stone That Dreams
Bayon wakes like a mind emerging from shadow. Its many faces shift with light and breath, teaching that perception—and the self—is never singular. In walking this forest of towers, the pilgrim discovers a quiet multiplicity within, held together by a calm that feels both ancient and newly understood.
The Still Eye — Craft, Meditation, and the Listening Camera
In the darkroom, silver begins to breathe—and a morning at Bayon returns. The essay moves from tray to temple and back, tightening its centre around a single vow: consent, not capture. A butterfly’s tremor, a lintel at dawn, a print clearing in water. Craft becomes meditation; the camera, a quiet bowl for light.
$260
Angkor Wat Temple, Cambodia — 2020
Limited Edition Archival Pigment Print
Edition
Strictly limited to 25 prints + 2 Artist’s Proofs
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
8 x 8 inches (20.3 x 20.3 cm)
“There is a radiance that survives the clang of swords.”
A golden hush settles upon Angkor Wat’s western gallery. Here, the mythical Battle of Kurukshetra no longer roars; it breathes. A lone warrior—shield lifted—stands in the after-silence where conflict surrenders to memory. Late-afternoon light glides across the relief, awakening an inner glow that seems to rise from the stone itself.
During a solitary visit in 2020, photographer Lucas Varro waited, listening for that subtle radiance. Exposing large-format black-and-white film in a single, patient breath, he received the scene rather than seized it. In the darkroom he coaxed warmth into silver, hand-toning each print with whispers of gold that echo the canopy-filtered light of that evening.
Printed on museum-grade Hahnemühle Bamboo, renowned for its velvety surface and sustainable heart, every sheet becomes a quiet sanctuary for tone and texture. Limited to 25 signed prints (+ 2 Artist’s Proofs), the work offers permanence not only in craft but in contemplative presence.
Should this image find its way to your wall, may it stand as a still point—an illuminated threshold where stone remembers, and light speaks without sound.
Follow the quiet path into the Artist’s Journal to wander deeper into this hush.
Previously titled ‘Battle of Kurukshetra I, Study II, Angkor Wat Temple, Cambodia. 2020,’ this photograph has been renamed to better reflect its place in the series and its spiritual tone. The edition, provenance, and authenticity remain unchanged.
