The Memory That Stood Still
They did not seem made.
They seemed remembered.
At Angkor Wat’s second level, beneath the five towers, they stood—two devatas poised not in motion, but in presence. One reached across the other’s shoulder with a touch that defied time. Their lotus blossoms lifted, their crowns catching the last trace of gold before dusk dissolved.
The wall behind them was smooth. Unfinished. But their emergence was complete. I did not move. The moment required no witness—only stillness.
The shutter opened.
And the silence deepened.
stone sisters waiting—
not for the sun to return,
but for what it gave
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Stone That Remembers the Sky
This poem listens to Angkor not as ruin, but as grammar—where moss, shadow, and proportion carry devotion forward without spectacle. What endures here is not glory, but measure: a way of standing that no longer needs witnesses.
Rice-Ghost and the Seven Drums
At harvest, the danger is not hunger but forgetting how to listen.
This folklore retelling speaks of drums struck for silence, of grain taken without gratitude, and of a narrow figure who does not punish—only waits. A tale of pacts made not with spirits, but with attention itself.
Naga Vow
A lost city sleeps in the jungle, its thresholds carved with serpents — not ornament, but law. This vow-poem enters love as sacred hunger: desire as guardianship, devotion as possession, the body speaking without language. A liturgy of heat, roots, rain, and the terrible tenderness of being claimed.
$250
Angkor Wat Temple, Angkor, Cambodia — 2020
Limited Edition Archival Pigment Print
Edition
Strictly limited to 25 prints + 2 Artist’s Proofs
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
9.5 x 6.8 inches (24.1 x 17.3 cm)
At the threshold where light becomes memory, two devatas emerge from stone—graceful, entwined, and radiant in their stillness. This is not a moment captured, but one consecrated.
Carved high upon the unfinished sandstone of Angkor Wat’s second-level courtyard, the figures appear almost identical—twin sisters or mirrored selves—each lifting a lotus blossom in quiet offering. One reaches across to rest her hand upon the other’s shoulder, their embrace suspended in golden silence. The air was thick with the hush of evening, as if the day itself were bowing.
Lucas Varro waited for the light to find them. Using large-format black-and-white film, he made this image beneath the sun’s last breath. In the studio, the negative was shaped through chiaroscuro and hand-toned in gold—an act of reverence, not effect. Each print is unique, bearing the subtle fire of what the stone once held.
This museum-grade archival pigment print on Hahnemühle Bamboo paper is offered in a strictly Limited Edition of 25 + 2 AP.
No two impressions are alike. Each carries the light that stayed.
Click here to walk deeper into the artist’s journal—where silence remembers the offering.
