Complimentary worldwide shipping on orders over $400 · No import tariffs for most countries

0

Your Cart is Empty

At the second level of Angkor Wat, where the towers rise above the inner sanctuary, some carvings were never finished. The sandstone wall is bare—smooth where ornament should have bloomed. But from this silence, two devatas emerged.

They are nearly identical. Each lifts a lotus blossom. One reaches across to rest her hand upon the other’s shoulder. It is a gesture without beginning or end. They do not turn. They do not shine. They remain.

Held by the Light They Offered was made as the sun began to withdraw—its final warmth brushed across the stone like benediction. Using large-format black-and-white film, I composed the image not as a document, but as an act of devotion. In the studio, I shaped the sculptural relief through chiaroscuro, and hand-toned each print in gold—not for ornament, but for return.

These devatas were not simply lit.
They were lit from within.

No two impressions are the same. Each carries its own breath, its own hush. The gold remembers what the light gave.

This museum-grade archival pigment print is rendered on Hahnemühle Bamboo paper and offered in a strictly limited edition of 25 + 2 Artist’s Proofs. Each is signed and numbered by the artist.

They do not reflect the sun.
They remember it.

The Collector’s Package includes a Certificate of Authenticity, a printed facsimile of the original field-made Chalk Study, and a suite of poetic companion texts.

To live with this work is not to possess an image.
It is to enter a moment that never stopped offering itself.


Also in Library

Before the Shutter Falls
Before the Shutter Falls

3 min read

Before the shutter falls, fear sharpens and doubt measures the cost of waiting. In the quiet hours before dawn, the act of not-yet-beginning becomes a discipline of attention. This essay reflects on patience, restraint, and the quiet mercy that arrives when outcome loosens its hold.

Read More
A red-and-black chalk sketch of an Angkor terrace at dawn: a broom leaning on a square column, a water bowl, a folded cloth, and a freshly swept stone path.
Those Who Keep the Way Open — On the Quiet Guardians of Angkor’s Thresholds

3 min read

Quiet gestures shape the way into Angkor — a swept stone, a refilled bowl, a hand steadying a guardian lion. This essay reflects on the unseen custodians whose daily care keeps the thresholds open, revealing how sacredness endures not through stone alone, but through those who tend its meaning.

Read More
A red and black chalk study of a Bayon face tower in soft morning light, shown in three-quarter profile with calm, lowered eyelids.
Multiplicity and Mercy — The Face Towers of Jayavarman VII

5 min read

A new vision of kingship rises at the Bayon: serene faces turned to every horizon, shaping a world where authority is expressed as care. Moving through the terraces, one enters a field of steady, compassionate presence — a landscape where stone, light, and time teach through quiet attention.

Read More