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Some images begin with a prayer. Others begin with ruin. This one began with both.

In the Hall of Dancers at Preah Khan Temple, the roof has long since fallen, yet the room still gathers its centre. Columns lean as if listening. Rain darkens the stone. Apsaras, worn but not erased, stand above each doorway—still poised, still watching.

It was just after the monsoon when I arrived. The light was not dramatic. It didn’t rush. It entered carefully, touching the corridor as if asking permission. I placed the tripod gently. The exposure would be long.

Captured on medium-format black-and-white film, this image carries the hush of that hour. Not simply what I saw, but how the silence moved. In the darkroom, I shaped the tones using classical chiaroscuro, letting the shadows breathe and the light return. Hand-toning each print allows me to extend that presence into the physical world—so that each piece carries not only the spirit of the temple, but the stillness of the moment I met it.

This is not a photograph of brokenness. It is a photograph of how presence remains.

Printed on museum-grade Hahnemühle Bamboo paper, Through All Things Broken, Light Still Walks is offered as a signed and numbered archival pigment print in a Limited Edition of 25 + 2 Artist’s Proofs. It is not simply an image, but a space—where ruin is not absence, and silence is not empty.

To receive it is to allow something ancient and alive to dwell with you, gently.


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