The Silence Within the Stone
“Where stone lifts its own prayer, heaven descends as rain.”
Pre Rup is more than masonry; it is a geography of devotion: five towers mirroring Mount Meru, sanctuary of Shiva, Vishnu, Uma, and Lakshmi. On a monsoon dawn in 2021, charged air shimmered silver over laterite. Lucas Varro did not rush. He allowed the hush to permeate marrow and ground glass alike, opening a long exposure only when the stair seemed to breathe.
Long after thunder moved on, the negative carried a residue of silence. In lamplight, chiaroscuro coaxed depth from shadow and lifted rain-lit mid-tones until the image pulsed with the storm’s forgotten heartbeat. Hand-toning followed—layered pigments settling like quiet sediment—until stone and sky shared one continuous breath.
The resulting photograph, Where the Gods Dwell, stands within the Spirit of Angkor series as an axis of ascent and descent: earth rising, cloud bowing, divinity dwelling between. Its five towers extend a silent invitation—climb without motion, listen without ear.
“Climb, and the sky will kneel.”
Held on museum-grade Hahnemühle Bamboo paper, each archival pigment print is signed, numbered, and limited to twenty-five impressions with two Artist’s Proofs. The paper’s warm fibres echo earth; its subtle tooth cups the hush of rain. To live with this print is to shelter a measured breath of sacred architecture, a storm-lit corridor where light waits on silence.
Also in My Journal
A Scroll Carried by Wind
Zhou Daguan came to Angkor to observe—but found a kingdom that defied explanation. This introductory scroll welcomes new readers into The Wind That Carried Me to Zhenla: a poetic resurrection of the 13th-century emissary’s journey, revoiced with reverence, wonder, and the hush of temple stone.
The Goddess of the Golden Tower
There is a tower the moon remembers—where a king once climbed in silence, and a goddess wove humility into gold. Though the spire has faded, her presence lingers in the hush between breath and stone, waiting for the next soul who dares to kneel before the unseen.
Phimeanakas and the Goddess of Sovereignty
Within the Royal Enclosure of Angkor Thom stands Phimeanakas—the Celestial Palace. More than a monument, it is a myth made stone: where kings bowed to the goddess of the land, and sovereignty meant surrender. A contemplative meditation on sacred architecture, divine right, and the quiet power that still lives between the stones.
$310
Pre Rup Temple, Angkor, Cambodia — 2021
Limited Edition Archival Pigment Print
Edition
Strictly limited to 25 prints + 2 Artist’s Proofs
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
8 x 8 inches (20.3 x 20.3 cm)
Storm gathers over Pre Rup with the gravity of an ancient hymn, each rumble folding cool rain-air into the courtyard’s porous stone. In that charged half-light five towers rise like weathered psalms, their open doorways breathing mysteries older than speech.
The temple itself seems to inhale, quincunx of spires mapping Mount Meru against a sky of restless pewter. Water varnishes laterite; every stair glistens like first light made tactile. Stillness moves here, and movement is a kind of stillness.
I waited motionless in the rain, the lens open and listening, my breath slowed to the tempo of thunder. Across the glass the stair became a dark river of ascent, and for a suspended moment I felt looked-upon rather than looking—a brief recognition between presence and stone.
Developed in the studio, the negative received chiaroscuro’s quiet guidance, depth coaxed from shadow, hush teased from light. Hand-toning followed, layer on layer, until the print held the low hum of rain and the unseen pulse of gods.
Each archival pigment print is made on museum-grade Hahnemühle Bamboo paper, strictly limited to 25 with 2 Artist’s Proofs, and signed and numbered on the border recto—an offering of rarity, craft, and devotion.
Should this storm-lit stair find a home with you, may it become a silent threshold where breath, shadow, and spirit meet.
To step further into its making, click here to enter the Artist’s Journal.
Previously titled ‘Pre Rup Temple, Study I, Angkor, Cambodia. 2021,’ this photograph has been renamed to better reflect its place in the series and its spiritual tone. The edition, provenance, and authenticity remain unchanged.
