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It was near sunset when the light began to change. I stood alone in the Cruciform Galleries, where the cool shadow met the breath of the jungle. Soft chanting rose like mist from the inner sanctum. The stone at my feet was warm. The hush—complete.
And then, as if they had stepped forward without moving, I saw them.
Two apsaras, carved centuries ago, emerged from the gallery wall. Their forms touched at the shoulder and hip, so gently one might think it an accident of time. But there was intention in the lean, in the grace of their mirrored posture. And there was that smile—a rare one, teeth just barely visible. I have seen thousands of devata across Angkor, but almost none who smile like that.
I did not raise the camera.
There are moments the lens cannot meet until the breath has slowed enough to match the stillness before it. I sat with them. I let the light pool between us, golden and fading. I returned again and again in the months that followed—sometimes to photograph, often to simply be near. Their presence was not something to capture. It was something to honour.
I shaped the final image slowly, months later, using classical chiaroscuro to let the light fall as it had that day. Each print I hand-tone in gold to recall the warmth that wrapped their embrace. But even now, it’s not the photograph I carry—it’s the moment before. The quiet recognition. The feeling that they remembered me.
stone leans into stone—
the warm breath of evening light
is older than time

2 min read
Angkor Wat survived by learning to change its posture. Built as a summit for gods and kings, it became a place of dwelling for monks and pilgrims. As belief shifted from ascent to practice, stone yielded to routine—and the mountain learned how to remain inhabited.

2 min read
Theravada endured by refusing monumentality. It shifted belief from stone to practice, from kings to villages, from permanence to repetition. What it preserved was not form but rhythm—robes, bowls, chants, and lives lived close together—allowing faith to travel when capitals fell and temples emptied.

2 min read
The final Sanskrit inscription at Angkor does not announce an ending. It simply speaks once more, with elegance and certainty, into a world that had begun to listen differently. Its silence afterward marks not collapse, but a quiet transfer of meaning—from stone and proclamation to practice, breath, and impermanence.
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Receive occasional letters from my studio in Siem Reap—offering a glimpse into my creative process, early access to new fine art prints, field notes from the temples of Angkor, exhibition announcements, and reflections on beauty, impermanence, and the spirit of place.
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Receive occasional letters from my studio in Siem Reap—offering a glimpse into my creative process, early access to new fine art prints, field notes from the temples of Angkor, exhibition announcements, and reflections on beauty, impermanence, and the spirit of place.
No noise. No clutter. Just quiet inspiration, delivered gently.
Subscribe and stay connected to the unfolding story.