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At six the west wall whitens.
I turn the radio down.
My hand stays
on the dial
a moment longer.
The phone lies face-up
beside the cup,
your name unchanged.
I used to let it ring once
before answering,
finishing whatever small thing
my hands were doing.
The minute passes.
No sound comes.
The light moves on.
The radio stays low.
The spoon between my fingers
does not reach the cup.
—
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18 min read
Some of Angkor’s most intimate ruins do not rise above the ground at all. They are postholes, low mounds, hearths and ponds: durable traces of a domestic city built largely from things that decay. To restore that city is to see Angkor not only as stone, but as wood, smoke, water, repair, and people living within calling distance.

5 min read
I had mistaken a gift for something being expelled.
Beneath the nāga's mouth, a stone garland descended bead by bead. Nearby, a makara opened its jaws and another form emerged. Looking closer, the whole temple began to change: serpent became ornament, ornament became architecture, architecture became foliage.
The forest did not introduce this language.
It answered it.

2 min read
Seven daughters have already been taken by Yamata-no-Orochi when Susanoo reaches the River Hi. Only Kushinada-hime remains. The Eighth Daughter retells the Kojiki episode through a family’s waiting, a girl transformed into a comb, and the patient preparation for the serpent’s return.