Valin Fighting Dubhi
I just released my latest print edition, Valin Fighting Dubhi, Banteay Samre Temple, Angkor, Cambodia. 2021, and I thought I'd take a moment to tell you the tale that it depicts.
The temples of Angkor were carefully constructed and decorated according to strict religious doctrine and meticulous astrological measurements, guided by the brahmins. That said, there was plenty of room for artistic expression by the artisans who crafted these marvelous places, and even humour. This carving of Valin fighting Dubhi, on the base of a pilaster on the central sanctuary of Banteay Samre temple, where we see Valin giving the demon buffalo Dubhi a good spanking, is a great example.
Valin Fighting Dubhi, Banteay Samre Temple, Angkor, Cambodia. 2021
The Tale of Valin and Dubhi
The Reamker, the Cambodian version of the Ramayana, tells the tale of a young but very powerful buffalo named Dubhi (or Dundubhi or Dourabhi in other versions). Interestingly this tale is not part of the original Ramayana.
Dubhi’s father, the King of the Buffaloes, had his sons killed for fear of competition, and Dubhi was the only son to survive the genocide.
While wandering in the forest, Dubhi met Valin, the King of the Monkeys, and they joined in combat. After an indecisive battle in the open, Valin craftily asked Dubhi to fight in a cave, where the buffalo’s bulk would put him at a disadvantage.
Before the fight Valin told his younger brother Sugriva that if, after the fight, light coloured blood flowed from the cave it meant he was dead and Sugriva would have to block the entrance to stop the monster escaping. However, when Valin defeated Dubhi, the flowers showered by the gods turned the blood of Dubhi to a light colour. Seeing this, Sugriva lamented the loss of his brother, whom he presumed dead, and had the entrance of the cave blocked as he had been instructed.
Local legend relates that, because Valin twisted Dubhi’s neck so hard when throwing him to the ground, all buffaloes have deep wrinkles around the neck.
This episode precedes the enmity between Valin and Sugriva, much more on that story in later articles.
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Please also see:
- The Legend of Rama in My Journal
- Images of The Ramayana at Angkor, Cambodia ⧉
- Images of Banteay Samre Temple, Angkor, Cambodia ⧉
Also in Library
Field Note: Blue Hour at Angkor
The blue hour settles over Angkor like a hush in stone. Naga coils dissolve into shadow, carvings soften into silence, and hunger without teeth endures. A sketch becomes listening. Each fracture is a hymn, each hollow a river. A field note on patience, memory, and the stillness that lingers.
At the River’s Bend
Dusk leans against the bank and the water forgets its hurry. A heron holds one bead of light. In the reeds, someone counts—commas between breaths. The river practises memory; cicadas re-thread a broken necklace. Perhaps art is only this: placing the pause so the note can be heard.
The Stoor Worm
The Worm of Salt and Silence rises from the ocean's depths, devouring, transforming, and shaping the land. As a boy enters its jaws, the boundaries of hunger and creation collapse, giving birth to a new world. This myth of death and rebirth unfolds in tides of flame and silence.
