Where the Wall Became Flame
It was the hour when the light bends low enough to listen. In the "Heavens and Hells" gallery of Angkor Wat, a small register waits above eye level—quiet, unassuming, easily missed. It depicts a royal couple welcomed into the heavens, flanked by two kneeling figures whose open palms receive more than ceremony. They receive light itself.
Lucas Varro stood there at the close of day. The sun, filtered through jungle and distance, struck the sandstone not directly, but as reflection. What followed was not documentation—it was reverence. A single long exposure on medium-format black-and-white film held the breath of that moment.
The artist would later return to the image slowly. Through classical chiaroscuro, he shaped what the shadow had hidden. Through hand-toning, warmth was given back to the gold the stone once held. The result is not an artefact—it is a threshold.
Where Light Receives the Soul stands at the heart of the Spirit of Angkor series. It offers no spectacle, no narrative climax. What it offers instead is a presence: the still recognition between gesture and grace.
Each print is a museum-grade archival pigment impression on Hahnemühle Bamboo paper, individually hand-toned and signed by the artist. The edition is strictly limited to 25, with 2 Artist’s Proofs.
To welcome this work is to live with a corridor of hush and flame—
a moment that continues to arrive.
Also in Library
Multiplicity and Mercy — The Face Towers of Jayavarman VII
A new vision of kingship rises at the Bayon: serene faces turned to every horizon, shaping a world where authority is expressed as care. Moving through the terraces, one enters a field of steady, compassionate presence — a landscape where stone, light, and time teach through quiet attention.
Stone That Dreams
Bayon wakes like a mind emerging from shadow. Its many faces shift with light and breath, teaching that perception—and the self—is never singular. In walking this forest of towers, the pilgrim discovers a quiet multiplicity within, held together by a calm that feels both ancient and newly understood.
The Still Eye — Craft, Meditation, and the Listening Camera
In the darkroom, silver begins to breathe—and a morning at Bayon returns. The essay moves from tray to temple and back, tightening its centre around a single vow: consent, not capture. A butterfly’s tremor, a lintel at dawn, a print clearing in water. Craft becomes meditation; the camera, a quiet bowl for light.
$250
Angkor Wat Temple, Angkor, Cambodia — 2020
Limited Edition Archival Pigment Print
Edition
Strictly limited to 25 prints + 2 Artist’s Proofs
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
8 x 8 inches (20.3 x 20.3 cm)
The corridor held its silence as the sun began to fall. In that narrow hush, light slipped through the jungle and touched the wall like breath. The carving—centuries old—seemed to stir, not with movement, but with inward glow.
A royal pair stood at the center, flanked by kneeling figures whose hands, lifted in reverence, caught the last warmth of day. This was not a scene of myth, but of return—light meeting stone in recognition.
I waited. When the moment gathered itself, I exposed one frame of medium-format black-and-white film. It felt less like taking than receiving.
In the studio, the photograph unfolded slowly. Through classical chiaroscuro and meticulous hand-toning, the image regained its warmth, its breath. Printed on museum-grade Hahnemühle Bamboo paper, and strictly limited to 25 prints with 2 Artist’s Proofs, each work is shaped as a gesture of stillness and care.
May this print serve as a silent welcome—
a resting place for light in your keeping.
Click here to enter the Artist’s Journal and follow the gold into dusk.
