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1 min read
There was once a bend in the river where birds would not settle.
Cows lowered their heads, then stepped back. Even the wind seemed to pass that water with its mouth closed. In that deep, dark pool lived Kaliya, the serpent, who had made fear into a home and poison into a kingdom.
Then Krishna came to the riverbank.
He did not bring a weapon.
He climbed the kadamba tree, leapt into the black water, and rose above the many-hooded serpent with an ankle-bell bright against the roar. The river watched. The village watched. Yashoda watched with her hands pressed to her mouth.
And Krishna danced.
Not to destroy.
Not to boast.
He danced until the poison loosened.
He danced until the serpent bowed.
He danced until the river remembered how to carry the moon.
The Serpent-River Dance is a hearthlit retelling of Krishna and Kaliya: a tale of venom, mercy, fear, and the child who stepped onto the serpent as if onto a song.
Continue reading on Substack:
Fires of the Old World XV — The Serpent-River Dance

1 min read
In a room gone blue with evening, a hand moves before thought. What the Hand Knew is a quiet poem of bodily recognition: the beloved beside us, ordinary and unaware, while touch remembers home before the mind can arrive.

2 min read
A Living Way essay on Kamo no Chomei, Hojoki, solitude, refuge, and the danger of becoming attached to the very life that saved us. The hut may shelter the soul from the noise of the world — but it may also become another possession.

1 min read
A spare lyric poem from The Vow on standing at the edge of beauty, absence, and time. A cliff, a river, and evening become the site of a deeper recognition: the world was magnificent before us, will continue without us, and wounds us most by remaining beautiful.
If this piece found something in you, you may wish to continue the journey elsewhere.
On The Lantern Chronicles, I gather writings from Angkor, myth and legend, contemplative essays, and poetry — works shaped by silence, beauty, wonder, memory, and the deeper questions that follow us through the world.
It is a place for stone and story, reflection and vow, shadow and revelation.
You would be most welcome there.