“Grace That Remains After Rain”
In the rain-washed stillness of Banteay Kdei’s eastern gate, a timeworn apsara lifts a lotus to the dawn. Her smile, softened by centuries of weather, endures without demand. There is no grandeur in the gesture—only presence, offered freely to the rising light.
Lucas Varro photographed her from outside the gopura, just after the last monsoon hush had passed. Using medium-format black-and-white film, he exposed a single frame as the mist began to lift. In the studio, through careful chiaroscuro shaping and subtle hand-toning, he coaxed the image forward—layer by layer, until breath and stone began to speak again.
The result is not preservation but presence: Grace Breathed Through Stone exists as an open threshold, inviting stillness rather than spectacle. Within the evolving Spirit of Angkor series, this image marks a return to intimate reverence, where the feminine sacred appears not in flourish but in quiet endurance.
Each print is rendered as a hand-toned archival pigment print on museum-grade Hahnemühle Bamboo paper. Offered in a limited edition of twenty-five, with two Artist’s Proofs, each impression carries the hush of dawn, the memory of rainfall, and the care of the artist’s hand.
To live with this print is not to possess it. It is to keep company with something that remembers long after it has been forgotten.
Also in Library
Before the Shutter Falls
Before the shutter falls, fear sharpens and doubt measures the cost of waiting. In the quiet hours before dawn, the act of not-yet-beginning becomes a discipline of attention. This essay reflects on patience, restraint, and the quiet mercy that arrives when outcome loosens its hold.
Those Who Keep the Way Open — On the Quiet Guardians of Angkor’s Thresholds
Quiet gestures shape the way into Angkor — a swept stone, a refilled bowl, a hand steadying a guardian lion. This essay reflects on the unseen custodians whose daily care keeps the thresholds open, revealing how sacredness endures not through stone alone, but through those who tend its meaning.
Multiplicity and Mercy — The Face Towers of Jayavarman VII
A new vision of kingship rises at the Bayon: serene faces turned to every horizon, shaping a world where authority is expressed as care. Moving through the terraces, one enters a field of steady, compassionate presence — a landscape where stone, light, and time teach through quiet attention.
$250
Banteay Kdei Temple, Angkor, Cambodia — 2023
Limited Edition Archival Pigment Print
Edition
Strictly limited to 25 prints + 2 Artist’s Proofs
Medium
Hand-toned black-and-white archival pigment print on Hahnemühle Bamboo — a museum-grade fine art paper chosen for its quiet tactility and reverent depth, echoing the spirit of the temples.
Signature & Numbering
Each print is individually signed and numbered by the artist on the border (recto)
Certificate of Authenticity
Accompanies every print
Image Size
8 x 8 inches (20.3 x 20.3 cm)
The corridor still carries the hush of vanished rain. In that hush, an apsara lifts a lotus—not in ceremony, but as quiet offering. Her smile curves like the memory of water.
At Banteay Kdei, where stone breathes beneath banyan limbs and light takes its time, grace lives not in perfection but in presence. This carving, worn by centuries of weather and worship, seems to glow from within the ruin’s silence.
I stood before her in stillness, camera on tripod, the moment unhurried. One long exposure on medium-format black-and-white film captured what I could not name. In the studio, I shaped the chiaroscuro by hand, layering tone and shadow until the image recalled the breath I felt between her and the dawn.
Printed as a hand-toned archival pigment print on museum-grade Hahnemühle Bamboo paper, each impression is part of a strictly limited edition of 25, with 2 Artist’s Proofs.
Welcome this threshold of grace into the stillness of your own space.
Click here to enter the Artist’s Journal and walk deeper into the breath behind the stone.
